Everything!

Customer Review: Good stuff
Everything I had hoped for from the Tones and more. Makes you miss the halcyon days in which this lively and innovative music was made. A great job of packaging too - a really solid collection including the pop stuff and the fun oddities.
Customer Review: One of the greatest ever
As much as I love music and all it has to offer, nothing has ever struck and stuck with me like TOT. I owned the POP album on vinyl, and I played it time and time again. Absolutely brilliant! I adore Love and Rockets, and I think Bauhaus are OK (a bit overrated), but this was a true gem. You absolutely must listen to "Rain". Greatest song ever composed in my opinion. I can't stress enough how wonderful this song is. It opens up with ambient organ and guitar (which is e-bowed, a method used throughout their songs), and then it morphs brilliantly into the singing and structure. Lyrically it is stunning, and I tell you the music will just stick with you. Just a beautiful song!

Many guitar enthusiasts visiting my website are interested in learning more about guitar chords. So, I thought this would be a good subject for me to give you some pointers on...

There are literally hundreds of guitar chords, plus, the fretboard enables one to use several different fingering combinations to play them. Memorizing every chord can seem like a daunting task for the beginning as well as the more "seasoned" guitarist.

But don't fret! I've put together some tips that will help speed up your chord learning curve!

First of all, it's important to keep things simple when you are just starting to learn how to play guitar. Try to get a good understanding of the basic "open" chords used in and around first position (by "open chords I'm referring to chords that contain a lot of open strings vs. bar chords, etc.)

• Begin with the Major, Minor and Dominant 7th chords in the common keys of: C G D A and E.
• Memorize them all!
• Practice using them in chord progressions and songs.

These basic chord shapes will help you learn how to play other chords up and down the neck. Let me explain...

Chords are made from triads. This simply means that there are 3 tones taken from a given scale to create a chord. So, when you are playing a basic triad guitar chord you are only using 3 notes, or tones, even though you may be strumming all 6 strings. The cool thing is, triads are moveable chord shapes. So wherever you place them on the neck of the guitar, you have a chord.

EXAMPLE:

The 3 tones of the A Major chord are: A C# E

If you take the A Major (triad) chord and move the whole shape up 1/2 step on the neck, you will have an A# chord. If you move another 1/2 step higher, you will have a B Major (triad) chord. If you move down 1/2 from B Major you will have Bb (A# & Bb are on the same fret).

Be careful only to strum the fretted notes of the chord. Do not to play the open strings if the tones are not in the chord. If you want to add another string it must be one of the notes in the triad- open or fretted.

This same phenomenon occurs when using the E Major triad chord shape.

The 3 tones of E Major are: E B G#

As with A Major chord, this triad can be moved up and down the neck. Again, be sure not to play any open notes when you move up the neck unless it's in the triad. Remember, if you wish to add more strings, you must use one of the notes in the triad.

This is also a moveable chord shape. The name of the chord is found in the 4th and the first string.

Whenever you use either of these shapes to play a chord anywhere on the neck, you will have a Major chord. Now you can play a wide variety of natural, sharp or flat chords in any key! Remember what I said- knowledge is power!

Kathy Unruh has been writing songs and providing guitar lessons to students of all ages for over 25 years. For free guitar lessons, plus tips and resources on songwriting, recording and creating a music career, please visit her website at:

AbcLearnGuitar.com

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Country and Pop Music superstar Shania Twain has released a greatest hits CD appropriately titled Shania Twain Greatest Hits.

The reclusive Twain has sold more than 40 million albums over the years with-flirty, hook laden, beat-heavy, country-tinged pop tracks that have all the subtlety of a musical wet T-shirt contest.

She is one of the most successful recording artists in history. Her CD Come On Over is the biggest selling album of all time by a female artist, making it the female equivalent of Michael Jackson's Thriller.

This long awaited and much anticipated Greatest Hits collection includes three new songs along with the predictable chart topping hits she's had. Most of the songs are up tempo groovable tunes which is exactly what Shania Twain fans will enjoy and appreciate.

19 out of the 21 songs on this CD are pure gold, and they are so varied in style that there is a song for every music fan.

The CD launches with the classic ballad, Forever and For Always then goes on to showcase the very impressive list of gold records Twain has had over the years. Containing a whopping 21 songs in all.

Impressively Twain writes all of her own songs and melodies on guitar and of course does a great job singing them as well.

Some of my own Shania Twain favorites are track 1, Forever and For Always, track 2 I'm Gonna Getcha Good, track 5, Man! I Feel Like A Woman! and on, and on, and on. Heck they're all good!

Release Notes:

Shania Twain originally released Greatest Hits on November 9, 2004 on the Mercury Nashville record label.

CD track list follows:

1. Forever and For Always

2. I'm Gonna Getcha Good

3. UP!

4. Come On Over

5. Man! I Feel Like A Woman!

6. That Don't Impress Me Much

7. From This Moment

8. Honey, I'm Home

9. You're Still The One

10. Don't Be Stupid

11. Love Gets Me Every Time

12. No One Needs To Know

13. You Win My Love

14. I'm Outta Here

15. The Woman In Me

16. Any Man Of Mine

17. Whose Bed Have Your Boots

18. Party for Two' (with Mark McGrath)

19. Don't!

20. Party for Two (with Billy Currington)

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Guitars Guitar Strummin Fender Gibson Cotton Throw Blanket

This is a lovely high quality Woven throw, made in USA. Great decoration for you home, office, excellent to hang on wall, fold on bed, etc.
Customer Review: Unique Gift
This gift was ordered as a Christmas gift to my teenage brother who loves guitars. I searched everywhere for guitar blankets, and this was the only one I could find. I was very pleased with the seller (Cjicollectiables, LLC)as the product arrive on time and came with a customer satisfaction garentee. Needless to say, I was very satified with the blanket throw, as was my brother. I would recommend the blanket as a unique quality gift for any guitar lover, and the seller as reliable.

I can describe Smooth Jazz sensation Boney James's CD Body Language for you with just one word... Outstanding!

It's a rare day indeed that I get a CD from an artist that I can truthfully say does not have a bad track in the bunch. I'm more than happy to announce that's exactly what I must say about this one. There simply is NOT a bad one in the bunch. No fillers here at all.

Body Language is a nicely varied, mix of 9 tracks from one of best smooth jazz sax players around. One of the nicer things about hearing an artist like Boney James is with the level of talent he posses even if Smooth Jazz isn't your favorite genre you still can't help but appreciate the greatness of the artist.

Listen to and I think you'll agree that the song choices are excellent, the production is outstanding and Boney James's sax work is about as good as it gets.

While the entire CD is outstanding the truly standout tracks are Are You Ready? [track 1], Into The Blue [track 2], and All Night Long [track 9].

My SmoothLee Bonus Pick, and the one that got Sore [...as in "Stuck On REpeat"] is track 5, Boneyizm. You gotta love Boneyizm!

Body Language Release Notes:

Boney James originally released Body Language on February 23, 1999 on the Warner Bros. record label.

CD Track List Follows:

1. Are You Ready?

2. Into The Blue

3. Body Language

4. I'll Always Love You - (featuring Shai)

5. Boneyizm

6. Lovefest

7. Bedtime Story

8. I Get Lonely

9. All Night Long

Personnel: Boney James (soprano, alto & tenor saxophones, keyboards, synthesizer, programming); Donnell Spencer Jr. (vocals, drums); Shai, Chelle Davis (vocals); Rick Braun (flugelhorn); David Torkanowsky (piano, Fender Rhodes piano, organ, keyboards); Phil Davis (keyboards, synthesizer, programming); Rex Rideout (keyboards, programming); Tim Heintz, Leon Bisquera, Mark Ellis Stephens (keyboards); Alex Al (synthesizer, bass); Paul Jackson Jr. (acoustic & electric guitars); Rohn Lawrence, Tony Maiden (guitar); Ronnie Garrett, Larry Kimpel (bass); Lil' John Roberts (drums); Paulinho Da Costa, Lenny Castro (percussion). Engineers include: Paul Brown, Bill Schnee, Don Murray.

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When recording, mixing down, and mastering, we always come across those 3 different EQ options. Many ask, what is the difference between them and which one should I use. here is a little information to help you get started.

The one most of you will be familiar with is the Graphic EQ as shown in the example below. The faders are arranged from low to high frequency. The are set to a specific frequency. The graphic EQ is most often used to control feedback or to get the sound you want out of an instrument. In a recording environment, once the feedback is taken out of the room, the settings usually stay put.

Parametric EQ you will find to be very different from the Graphic EQ. They permit you to choose exactly which frequency you want via the Frequency setting and the Q control. A wide Q will center your frequency around a broad group of frequencies which will all be affected. It is a very broad adjustment. A narrow Q will only affect the frequencies within the narrow Q.

You can also set the Q to affect one sole frequency. This works well if you have a single frequency affecting your mix. You can easily isolate it and adjust accordingly. Software such as Cakewalk Sonar 6 Producer comes equipped with its own internal software version of all the varying types of EQ's in this article.

Paragraphic EQ is similar to the parametric EQ in that you can chunk out areas of frequency, but it does not give you the Q. It is a nice medium between a Graphics EQ and a Parametric EQ. It is very applicable for live sound, but we are seeing more and more studios putting the Paragraphic EQ to work.

I hope this helps to understand the differences, similarities and applications of these different types of available EQs.

Tinamarie Hite(Dae) is a musician and a sound engineer. She has over 20 years experience in the music business. Her experience covers a wide range of subjects from jazz theory to recording to the know hows of booking, gigging and live stage setup. She is currently working on several music projects. These include singer/songwriter productions, The Acoustic Duo, Cd recording, and a new band. Putting her experience to work comes naturally.

More informative articles can be found at http://www.musicxspot.com

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Fender Deluxe Player's Stratocaster Electric Guitar - Maple, Sapphire Blue

Electric Guitar. Made by Fender.

The Deluxe Players Stratocaster is a revised version of the former Super Strat. Upgraded with American-made Vintage Noiseless pickups, this guitar not only sounds great but with a 12" neck radius and medium jumbo frets it's a workhorse of a guitar! And, don't forget about the push button switch that gives the player nine different pickup combinations!

Features:

• BODY Ash
• NECK Maple, Modern "C" Shape, (Satin Polyurethane Finish)
• MACHINE HEADS Gold Plated Fender/Reliance Vintage Style Tuning Machines
• FINGERBOARD Maple, 12" Radius (305mm)
• NO. OF FRETS 21 Medium Jumbo Frets
• PICKUPS 3 Vintage Noiseless Strat Pickups
• CONTROLS Master Volume, Tone 1. (Neck Pickup), Tone 2. (Middle Pickup)
• BRIDGE Gold Plated Vintage Style Synchronized Tremolo
• PICKUP SWITCHING 5-Position Blade: Position 1. Bridge Pickup, Position 2. Bridge and Middle Pickup, Position 3. Middle Pickup, Position 4. Middle and Neck Pickups (Plus Bridge Pickup When Push/Push Switch Is Activated), Position 5. Neck Pickup (Plus Bridge Pickup When Push/Push Switch Is Activated), 1-Push-Button On/Off Switch: Activates Bridge Pickup in Positions 4 and 5 of Blade Switch
• HARDWARE Gold Plated
• STRINGS Fender Super Bullet 3250L, Nickel Plated Steel, (.009 to .042)
• CASE Deluxe Gig Bag
• PICKGUARD 4-Ply Brown Shell
• SCALE LENGTH 25.5" (648mm)
• WIDTH AT NUT 1 11/16 (43mm)
• UNIQUE FEATURES Gold Plated Hardware
• ACCESSORIES Deluxe Gig Bag

NOTE: The picture on this page shows the Rosewood version of this guitar model, if you place an order from this page you will receive the model with a Maple fretboard

I can describe the latest release from Heavy Metal super group Alice In Chains for you with just one word Outstanding!

I wish it werent the case but, its not everyday that I get a CD for review that I can just pop in and comfortably listen to from beginning to end. There is usually a song or two that I just cant force myself to get through. Not at all the case with Dirt. Every track is enjoyable and was pretty easy for me to listen to from start to finish.

Dirt is a pleasantly varied, mix of 13 tracks that are very well written and brilliantly performed songs by these clearly superb musicians. Most of the songs display a lot of the kind emotion that makes for a really great listen. Clearly drawing from what I can only imagine are their own real life experiences. At different points touching on the most real emotions of love, and the pain of failed relationships can certainly be heard.

Overall Dirt is excellent from beginning to end. One of those CDs that after a few listens the songs are just etched into your memory. A must have for the Heavy Metal fan. Really spectacular from beginning to end.

While the entire album is really very good the truly standout tunes are track 2 - Dam That River, track 4 - Down In A Hole, and track 13 - Would?.

My Bonus Pick, and the one that got Sore [...as in "Stuck On REpeat"] is track 1 - Them Bones. Great track!

Dirt Release Notes:

Alice In Chains originally released Dirt on September 29, 1992 on the Columbia label.

CD Track List Follows:

1. Them Bones

2. Dam That River

3. Rain When I Die

4. Down In A Hole

5. Sickman

6. Rooster

7. Junkhead

8. Dirt

9. God Smack

10. (untitled) - (hidden track)

11. Hate To Feel

12. Angry Chair

13. Would?

Alice In Chains: Layne Staley, Jerry Cantrell (vocals, guitar); Michael Starr (bass); Sean Kinney (drums).

Additional personnel: Tom Araya (background vocals).

Recorded in 1992.

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The Fender Stratocaster Handbook: How To Buy, Maintain, Set Up, Troubleshoot, and Modify Your Strat

This hands-on, how-to manual for the Strat takes the mystery out of maintaining and modifying what is really a relatively simple instrument (two boards, some wires, some pickups). Clear text and colorful illustrations take readers through the basics of selecting and buying Strats; maintenance and repairs such as tuning, setting intonation, tremolo alignment, fret repairs, bridge and nut adjustments, electrics troubleshooting; spur-of-the-moment stageside fixes; and some basic performance enhancements like adding “hot rod” Fender and aftermarket pickups, locking-tremolo nuts, and more.

Customer Review: great for saving money
I set up the playing action on the guitar necks on 5 guitars in a row, right after first studying 1 page in this book for about 2 minutes, if you want to adjust-lower the string action on a guitar, this book explains it very easily, each guitar took about 30 seconds, it's so easy!
Customer Review: Mr. know How
This handbook is really good, for me it gives me almost everything I needed or I wanted to know about the legendary Stratocaster guitar, I personally recommend it to anyone who is interested to know everything about Strats and more important to who wants a hands-on reference to fully understand and maintain their guitar........ Hesham Askar

To most people, owning the "genuine article" is the only thing that will suffice. As a guitar player, and one who appreciates classic "vintage" instruments, I can fully understand this point of view. I can't think of a single guitarist who wouldn't absolutely adore playing a real 50's Les Paul or Stratocaster. However, becoming the proud owner of a true vintage instrument does have its drawbacks.

First of all, there's the price of admission. The increasingly strong demand for vintage instruments has driven their prices through the roof and out of reach for most of us. Top quality, well taken care of original instruments from the 50's and 60's can approach the cost of a new car, or in some cases a small house!

Another problem facing vintage instruments is their questionable reliability. Although they were built to stand the test of time, a vintage instrument will almost always prove to be more delicate and fragile than a later, more modern version. This may not be of great importance to a guitar collector, but if you're planning to gig with a 50 year old, highly valued piece of guitar history, you may want to think again.

Fortunately there is an alternative for those of us who love vintage instruments, but find them either too expensive or too impractical for our purposes. I am referring to the latest crop of vintage guitar replicas, or as they are better known, "reissues".

Both Gibson and Fender maintain separate production facilities known as "Custom Shops", were they produce replicas of our favorite oldies with great skill and care. These guitars are made of the finest woods, and are almost entirely built by hand using time honored techniques. The electronics are custom manufactured to be as true and faithful to the original instrument as is humanly possible.

The cost of these Custom Shop guitars are high when compared to their production line variants, but they are still far below the cost of the real thing. They come complete with a full warranty, the durability of a new instrument, and sparkling clean looks. I own several reissue guitars from both Gibson and Fender, and can truthfully say that I am very impressed with the quality and painstaking level of detail that these guitars possess. The use of high quality woods give them a tone which is a cut above the norm, and knowing that parts are readily available helps add some peace of mind.

When all things are considered, buying a reissue guitar is in most cases the next best thing to owning the original. Although nothing will ever replace the "vibe" and nostalgia associated with the real deal, the high cost and impracticality of a vintage instrument for everyday use, makes owning a reissue a very attractive alternative. Will a reissue ever sound like its well aged 50 year old counterpart? Probably not, but for us players with an appreciation for classic instruments, a Custom Shop reissue from the original manufacturer is very hard to beat.

Written By: Michael Casamento

This article may be freely distributed so long as the above resource box is included in its entirety.

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Stratocaster Greats: Playing in the Style of Fender

Customer Review: History of the Fender Guitar
This is not really an instructinal DVD it is more of a history lesson about the Fender Stratocaster Guitar and its rise from the early 50's to today. Tom Kolb explains such mundane things as the Bridge section of the guitar and control knobs, tremelo,pickup's...ect.But the highlite is when he plays in different styles such as Jeff beck, Eric Clapton,Ritche Blackmore,and other great Strat players.Fun to watch if you are a huge Strat fan like me... but may bore others who were hopping to glean some riff's off of this DVD. After watching this dvd you do realize just how important the Strat has been to Rock and music in general.Its the only true example i can think of where they got something right the first time! the body and structure of the Srtat has not changed in 60 years....thats beacause it was perfect to begin with.
Customer Review: Don't waste your cash
I've played keyboard for over 25 years. I've now decided to start playing guitar and purchased this video. No doubt that Tom Kolb knows how to play a guitar. If I didn't have any previous musical knowledge I would have been completely lost watching this DVD. What it shows to you is a bunch of information about various styles of various guitar players. That's what it is suppose to do right? Well what is shown to you is a guy playing his guitar really fast and talks about nothing on how to apply techniques and use them. Then you are referred to look at a cheezy photocopied handbook that is suppose to explain everything. Wrong! Every "technique" that is shown... if you can pick it out during his fast playing... would already be known by an experienced player. Beginner.... forget it, you won't see anything that will help you. I could go on for hours on how useless this video is. But I'll keep it short. Spend your money on something else.

Electric guitar history begins in the 1920's and 1930's when two Los Angeles musicians George Beauchamp and John Dopyera began trying to find ways of creating louder guitars. They first created a resonator guitar using aluminum disks with a metal body that was three times louder than an acoustic guitar. The resonator guitar evolved into what me commonly refer to now as the dobro.

It wasn't until 1930 that Beauchamp and another man Paul Barth developed the first working pickup. They then contacted Harry Wilson who carved the neck and body of what would be the first electric guitar. They nick-named it the frying pan due to it's round body.

The first man to build and market an electric "Spanish" style guitar was Lloyd Loar. Loar created Vivi-Tone, a company dedicated to the production of spanish style electric guitars. However the design was poor and within a year Vivi-Tone failed.

In 1935 Gibson began work on developing a new guitar pickup. This pickup would become incorporated onto the standard f-hole arch-top guitar known as the ES-150. The Gibson ES-150 is considered the first modern electric guitar in history.

A milestone in electric guitar history, the ES-150 became an instant success. However their were still some undesirable characteristics. Because of the hollow body design there were often problems with feedback and distortion.

The answer to this problem was the solid body electric guitar. The solid body electric guitar can be accredited to two men. Les Paul and Leo Fender. Les Paul's idea was to take a 4x4 piece of pine and attach two magnetic pickups. He then glued two cutaway halves of the original hollow body design to the 4x4.

Leo Fender's model was slightly different. His solid body was made of oak and instead of gluing two halves of a hollow body to a solid middle Leo Fender had carved the entire body solid. In 1949 Fender released the first successful solid-body electric guitar called the "Esquire."

It wasn't until 1952 that Gibson decided to release Les Paul's version of the solid body electric guitar. Although Fender had been on the market for a short while Gibson's Les Paul quickly become the industry standard and to this day is considered the most sought after guitar in electric guitar history.

By the 1960's electric guitar history had hit its maturity. Gibson introduced the humbucking pickup which helped to reduce unwanted noise from the magnetic coils in pickups. Fender and Gibson came out with more futuristic designs like the SG and Stratocaster.

Since the 1960's There have been numerous electric guitar manufacturers to come on to the scene. Manufacturers like Ibanez, Jackson, Paul Reed Smith, Dean and B.C.Rich are just a few of the modern companies who are still continuing to make electric guitar history.

John Robert has been playing guitar longer than he can remember and teaching for the last three years. His innovative teaching methods have helped many guitarists maximize their practice time for optimal playing potential. To learn more great guitar playing tips visit Jam-o-rama.info

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