Friday, 10 July 2009

Fender Vintage Stratocaster Guitar Bridge Cover Chrome

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You want to play electric guitar but you have a limited budget. Your first electric guitar needs to be cheap so you need to get some idea which is the best brand to buy. If you do not buy a good quality electric guitar your guitar playing learning curve is going to be that much more steep, and you are going to feel like a prize dumbbell telling people that your playing would be much better if your guitar was not such a pile of junk.

Let us set some ground rules. Do not buy a cheap guitar online unless the vendor is in your local area. Also, when we talk about cheap guitars we should be talking cheap brands, not old guitars of dubious quality and unknown condition. If there is a music shop or two somewhere close to where you live, they should be able to cater to your needs. There are a lot of deep mysteries connected with guitar playing but finding a cheap guitar is not one of them.

To start with, there are big brand name guitars that you may not be able to afford, and indeed it would be silly to pay a fortune for your first electric guitar, but there are copies of these famous guitars which you CAN afford. Amongst these copies of the big name guitars made by various guitar makers, are good and bad quality guitars, and you need to be familiar with the better quality makers of cheap guitars. Any guitar factory in Outer Mongolia can churn out realistic looking electric guitars but they may not be able to hold together for longer than five minutes.

So, let us first look at a few big name guitars. Fender, Gibson, Washburn. You recognize those names, right? Squier, Ibanez, Yamaha, Crafter. Do you recognize those names? They make cheap electric guitars some of which are copies of more expensive models. The basic difference between cheap guitars and expensive guitars is quality of materials. The reason you need to be aware of which cheaper brands to buy is that you do not want to go too far into the realms of cheap and nasty. Without wanting to influence you unduly, I think you could do a lot worse than buying a Squier Stratocaster for a first electric guitar. It is made by Fender, the makers of the original Strat.

Another thing you need to consider is the type of music you want to play. Once you start looking around at guitars you need to be aware of the sound. Right from the first day as a guitar player you should be listening to yourself making a sound that you are happy with.

One really cool thing you should be taking with you when you go looking to buy a cheap electric guitar is a guitar player. Even if it is one of the neighbors who bought a guitar years ago and never did anything with it, it is better than nothing. And then there's the color. Your neighbor may be able to give you some advice on the construction of electric guitars or the benefits of this or that pickup, but only YOU can decide what color you want. When Mark Knopfler decided to buy his first guitar he knew he wanted a red one. It is an important consideration. You will not feel comfortable posing in front of the mirror with the wrong color guitar!

You will not be posing in front of the mirror? Oh . . . okay.

Ricky Sharples has been playing guitar his whole life, and is presently engaged in building a blog called Learn How To Play A Guitar For Free. Ricky's blog features free tools, lessons and resources for guitarists of all ages and stages. Ricky updates the blog regularly so if you are interested in learning to play guitar there will be an enormous variety of tip, tools and tutorials for you.

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Tuesday, 7 July 2009

Fender Standard Stratocaster Pickguard - Gold - For 3 Single Coil Pickups

Guitar Replacement Pickguard. Made by Fender.

One of the really nice things about Fender instruments is that you can change the look of your instrument with relative ease.

One of the easiest ways to accomplish this is to replace the pickguard! Fender offers a variety of pickguards with different pickup configurations and materials to help you add a personal touch to your favorite Fender instrument. This 1-Ply, 11 Hole Pickguard, is for 3 single coil pickups.

Fits:

  • American, American Standard, Hot Rod and Deluxe Series Stratocasters, (also Big Apple / Double Fat Strat) (USA)
  • Standard, Deluxe and '70s Stratocasters (Mexico)



Just like jazz, there are many different types of blues. From delta blues and Chicago blues to the east coast blues, each one has its own distinctive elements. Over the years, blues guitarists have used a plethora of instruments to accompany themselves, from commonly found acoustic steel string models to resonator guitars, all from a variety of manufacturers. Each type of guitar has its own characteristics, and as you study and learn to play the blues, you will learn to recognize which characteristics you'd like to make use of.

Resonator Guitars

Traditional acoustic guitars produce a sound because of the soundboard, which is basically the wooden face of the instrument. Resonator guitars were originally designed because they were louder than traditional acoustic designs, and they were able to compete with the wind instruments and drums in a large dance band. The instruments feature cone shaped apparatuses (resonators) beneath the strings that are made of metal. Some guitars have one resonator, and others have multiple resonators. Eventually, the instrument found a niche in the genre of blues.

Resonator guitars produce a metallic sound. Often times, the instrument is played with a slide or bottleneck, and it is versatile as a blues guitar, bluegrass guitar, and country guitar as well. There are affordable beginner and professional models of resonator guitars. They will provide you with a variety of tone options that will make your blues sound unique.

Solid Body Electrics

Many guitar manufacturers produce solid body electrics that make great options for aspiring blues guitarists. Most notably, the Gibson Les Paul is one of the most popular instruments. When played at louder levels, this instrument produces that cutting edge blues tone that is desirable from an electric guitar. Similarly, the Fender Stratocaster is a versatile instrument that has settings that can be tailored to fit the sounds of blues and rock and roll. It was used by the legendary Buddy Guy, and Eric Clapton also has made a mark on the Stratocaster with his blues infused tunes.

Acoustics

The first blues musicians were solo acts, singers with just a guitar in their hands. Recordings of Lightning Hopkins and Howlin' Wolf will feature just that - and great acoustic guitar sound. Acoustic guitars were extremely popular in the blues, especially in it early beginnings from the early 1900's to the 1930's, when electrics finally arrived on the music scene. A good acoustic blues guitar would probably feature a more shallow body, constructed from a wood that will produce a bluesy tone, such as mahogany and/or spruce. Gibson makes several impressive acoustics that are designed specifically with the blues in mind, like the Blues King Modern Classic.

The blues has evolved and changed with the time. Start your search for a good blues guitar by first listening to recordings, and determining which style of blues you would like to play. The early versions, with their acoustic guitar accompaniments, may inspire you to pursue a similar instrument and style for yourself. Innovators might lead you to try resonators and electrics. Whatever you choose, let the type of blues your ears gravitate to help you make the decision.

I hope you found this article helpful! A good guitar is important. But so is learning really essential lead guitar scales (like the minor blues scale).

If you are serious about improving your guitar soloing and would like to gain a mastery over guitar scales, then be sure to check out this website: http://www.GuitarScaleMastery.com/letter/

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Tuesday, 16 June 2009

Pink Floyd: The Black Strat: A History of David Gilmour's Black Fender Stratocaster

The Black Strat book is the first and only accurate and knowledgeable account of David Gilmour's favorite Stratocaster guitar. Written by Phil Taylor - David's personal guitar technician since 1974 - to coincide with the release of the long awaited and much requested Fender 'David Gilmour Signature Strat': an instrument replicating the look, set-up, sound and feel of David's famous black guitar as it is today. The chronological story begins with David Gilmour joining Pink Floyd in early 1968, his guitar at that time, his subsequent instruments leading to the purchase of the Black Strat in 1970, and the other guitars that have come and gone. The book details all of the changes and modifications made to the Black Strat, its use on Pink Floyd tours and iconic albums, David's solo projects, and various guest appearances throughout the years.
Customer Review: Pink Floyd: The Black Strat A history of David Gilmour's Black Fender Stratocaster
After reading this book in one sitting, it became an inspiration for me to build my own Gilmour black strat. It is a must for any fan of Pink Floyd as well as David Gilmour fan. A very detailed history of the guitar and it's owner and the various changes the guitar went through 'til it reached its current state. A wealth of pictures as well as info, so much as i said that i built my own gilmour strat. The only changes i made were in the neck, it is a C-shaped but a bit smaller to fit my hand, i did put a duncan ssl5 in the bridge, but instead of the fat 50's in the neck and 69 in the middle, i put 2 duncan ssl-3 in the neck and middle but the middle pickup is reverse wound, and instead of drilling a hole in the pickguard for the extra switch to turn on the neck pickup, i used a push-pull pot on the lower tone control to add the neck pickup. I decided to do the N.O.S version instead of the relic'd version. See if this book had that kind of inspiration for me, imagine what it may do for you. Go out and get it, enjoy yourself reading it, even if you don't build guitars.
Customer Review: David Gilmour's Black Strat-GRN
I, at first, scoffed at this story of David Gilmour's Black Strat; however, the more I thought about it, the more I believed that it would offer something of a storied journey. This proved to be a good historical read and journey of not only David and Phil Taylor, Daivid's Guitar Technician, but also of the journey of the Black Strat and several other Floydian Guitars. I am glad that I purchased and read this account.


I can describe Smooth Jazz sensation Boney James's CD Body Language for you with just one word... Outstanding!

It's a rare day indeed that I get a CD from an artist that I can truthfully say does not have a bad track in the bunch. I'm more than happy to announce that's exactly what I must say about this one. There simply is NOT a bad one in the bunch. No fillers here at all.

Body Language is a nicely varied, mix of 9 tracks from one of best smooth jazz sax players around. One of the nicer things about hearing an artist like Boney James is with the level of talent he posses even if Smooth Jazz isn't your favorite genre you still can't help but appreciate the greatness of the artist.

Listen to and I think you'll agree that the song choices are excellent, the production is outstanding and Boney James's sax work is about as good as it gets.

While the entire CD is outstanding the truly standout tracks are Are You Ready? [track 1], Into The Blue [track 2], and All Night Long [track 9].

My SmoothLee Bonus Pick, and the one that got Sore [...as in "Stuck On REpeat"] is track 5, Boneyizm. You gotta love Boneyizm!

Body Language Release Notes:

Boney James originally released Body Language on February 23, 1999 on the Warner Bros. record label.

CD Track List Follows:

1. Are You Ready?

2. Into The Blue

3. Body Language

4. I'll Always Love You - (featuring Shai)

5. Boneyizm

6. Lovefest

7. Bedtime Story

8. I Get Lonely

9. All Night Long

Personnel: Boney James (soprano, alto & tenor saxophones, keyboards, synthesizer, programming); Donnell Spencer Jr. (vocals, drums); Shai, Chelle Davis (vocals); Rick Braun (flugelhorn); David Torkanowsky (piano, Fender Rhodes piano, organ, keyboards); Phil Davis (keyboards, synthesizer, programming); Rex Rideout (keyboards, programming); Tim Heintz, Leon Bisquera, Mark Ellis Stephens (keyboards); Alex Al (synthesizer, bass); Paul Jackson Jr. (acoustic & electric guitars); Rohn Lawrence, Tony Maiden (guitar); Ronnie Garrett, Larry Kimpel (bass); Lil' John Roberts (drums); Paulinho Da Costa, Lenny Castro (percussion). Engineers include: Paul Brown, Bill Schnee, Don Murray.

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Thursday, 2 April 2009

Fender Standard Stratocaster Pickguard - Gold

Guitar Replacement Pickguard. Made by Fender.

One of the really nice things about Fender instruments is that you can change the look of your instrument with relative ease.

One of the easiest ways to accomplish this is to replace the pickguard! Fender offers a variety of pickguards with different pickup configurations and materials to help you add a personal touch to your favorite Fender instrument. This 3-Ply, 11 Hole Pickguard is for 3 single coil pickups.

Fits:

  • American, American Standard, Hot Rod and Deluxe Series Stratocasters (USA)
  • Standard, Deluxe and '70s Stratocasters (Mexico)



If your young child can identify the letters of the alphabet and numbers, knows how to count, and is beginning to read, they are ready for piano lessons. Below are 20 piano concepts and benefits children can gain in their first year of piano lessons.

1. Locating A, B, C, D, E, F, and G on the piano keyboard (Music Alphabet)

2. Musical Alphabet Up and Down (Circle of Seconds or Steps)

3. Line Notes and Space notes (Circle of Thirds or Skips)

4. Broken and Blocked, in the Key of C, F and G (Triads)

5. The Major Scale (Half Steps and Whole Steps)

6. Five-Finger Scales in C Major, A Minor, D Minor F Major, G Major (Pentatonic Scales)

7. Octaves (Ottava signs and Keyboard Arrangement)

8. Intervals (Distance between two keys on the piano or two notes on the staff)

9. Sharps (Half Steps Up)

10. Flats (Half Steps Down)

11. High Sounds (Treble Clef )

12. Low Sounds (Bass Clef)

13. Forte, Mezzo Forte, Piano, Mezzo Piano, Crescendo (Dynamics)

14. Listening & Playing Back (Imitation)

15. Changing a Theme (Variations)

16. Personal Expression (Improvisation)

17. Playing with more ease (Technique)

18. Playing with style (Articulations: legato, staccato, accents)

19. Playing for others (Performing in Recitals)

20. Sharing their talent (Becoming Part of the Music Community.)

In addition to music theory, first year piano students are trained in piano performance and artistry. Can you imagine your children playing the piano in your living room, or performing in their first piano recital? There is nothing that warms parents' hearts more than seeing their children engaged in a creative activity that is challenging and beneficial. Why not enroll your child in piano lessons while they are young? You can't make a better investment in their future.

In addition to the 20 benefits above, other rewards of piano lessons are well documented - increased math and reading scores, increased overall educational progress. So don't wait to give your child the benefits of music. You'll be glad you did.

To learn the best way to share the gift of music with children visit Amazon.com for my Piano Bears Musical Stories for Children The exciting Piano Bears Musical Stories for children ages 5 to 11 feature the loveable characters, Mrs. Treble Beary and her new piano student, Albeart Littlebud. Children love following along with Albeart to Mrs. Treble Beary's piano studio in Musical Acres Forest. Here they learn what piano lessons are all about in a fun way that kids readily understand and appreciate! Piano students laugh and giggle while reading "Little Bear's Musical Garden" and "Little Bear's Piano Goals."

For a wealth of f'ree information and piano music online visit Piano Bears Music Education Resources Don't Wait to Share the Gift of Music!

the fender stratocaster handbook pdf

Saturday, 28 March 2009

Everything!

Customer Review: Good stuff
Everything I had hoped for from the Tones and more. Makes you miss the halcyon days in which this lively and innovative music was made. A great job of packaging too - a really solid collection including the pop stuff and the fun oddities.
Customer Review: One of the greatest ever
As much as I love music and all it has to offer, nothing has ever struck and stuck with me like TOT. I owned the POP album on vinyl, and I played it time and time again. Absolutely brilliant! I adore Love and Rockets, and I think Bauhaus are OK (a bit overrated), but this was a true gem. You absolutely must listen to "Rain". Greatest song ever composed in my opinion. I can't stress enough how wonderful this song is. It opens up with ambient organ and guitar (which is e-bowed, a method used throughout their songs), and then it morphs brilliantly into the singing and structure. Lyrically it is stunning, and I tell you the music will just stick with you. Just a beautiful song!


Many guitar enthusiasts visiting my website are interested in learning more about guitar chords. So, I thought this would be a good subject for me to give you some pointers on...

There are literally hundreds of guitar chords, plus, the fretboard enables one to use several different fingering combinations to play them. Memorizing every chord can seem like a daunting task for the beginning as well as the more "seasoned" guitarist.

But don't fret! I've put together some tips that will help speed up your chord learning curve!

First of all, it's important to keep things simple when you are just starting to learn how to play guitar. Try to get a good understanding of the basic "open" chords used in and around first position (by "open chords I'm referring to chords that contain a lot of open strings vs. bar chords, etc.)

  • Begin with the Major, Minor and Dominant 7th chords in the common keys of: C G D A and E.
  • Memorize them all!
  • Practice using them in chord progressions and songs.

These basic chord shapes will help you learn how to play other chords up and down the neck. Let me explain...

Chords are made from triads. This simply means that there are 3 tones taken from a given scale to create a chord. So, when you are playing a basic triad guitar chord you are only using 3 notes, or tones, even though you may be strumming all 6 strings. The cool thing is, triads are moveable chord shapes. So wherever you place them on the neck of the guitar, you have a chord.

EXAMPLE:

The 3 tones of the A Major chord are: A C# E

If you take the A Major (triad) chord and move the whole shape up 1/2 step on the neck, you will have an A# chord. If you move another 1/2 step higher, you will have a B Major (triad) chord. If you move down 1/2 from B Major you will have Bb (A# & Bb are on the same fret).

Be careful only to strum the fretted notes of the chord. Do not to play the open strings if the tones are not in the chord. If you want to add another string it must be one of the notes in the triad- open or fretted.

This same phenomenon occurs when using the E Major triad chord shape.

The 3 tones of E Major are: E B G#

As with A Major chord, this triad can be moved up and down the neck. Again, be sure not to play any open notes when you move up the neck unless it's in the triad. Remember, if you wish to add more strings, you must use one of the notes in the triad.

This is also a moveable chord shape. The name of the chord is found in the 4th and the first string.

Whenever you use either of these shapes to play a chord anywhere on the neck, you will have a Major chord. Now you can play a wide variety of natural, sharp or flat chords in any key! Remember what I said- knowledge is power!

Kathy Unruh has been writing songs and providing guitar lessons to students of all ages for over 25 years. For free guitar lessons, plus tips and resources on songwriting, recording and creating a music career, please visit her website at:

AbcLearnGuitar.com

Get More Free Guitar Tips Here

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Monday, 16 March 2009

Makes You Wanna Play Multi Guitars Men's tee Shirt in 12 colors Small thru 6XL




Country and Pop Music superstar Shania Twain has released a greatest hits CD appropriately titled Shania Twain Greatest Hits.

The reclusive Twain has sold more than 40 million albums over the years with-flirty, hook laden, beat-heavy, country-tinged pop tracks that have all the subtlety of a musical wet T-shirt contest.

She is one of the most successful recording artists in history. Her CD Come On Over is the biggest selling album of all time by a female artist, making it the female equivalent of Michael Jackson's Thriller.

This long awaited and much anticipated Greatest Hits collection includes three new songs along with the predictable chart topping hits she's had. Most of the songs are up tempo groovable tunes which is exactly what Shania Twain fans will enjoy and appreciate.

19 out of the 21 songs on this CD are pure gold, and they are so varied in style that there is a song for every music fan.

The CD launches with the classic ballad, Forever and For Always then goes on to showcase the very impressive list of gold records Twain has had over the years. Containing a whopping 21 songs in all.

Impressively Twain writes all of her own songs and melodies on guitar and of course does a great job singing them as well.

Some of my own Shania Twain favorites are track 1, Forever and For Always, track 2 I'm Gonna Getcha Good, track 5, Man! I Feel Like A Woman! and on, and on, and on. Heck they're all good!

Release Notes:

Shania Twain originally released Greatest Hits on November 9, 2004 on the Mercury Nashville record label.

CD track list follows:

1. Forever and For Always

2. I'm Gonna Getcha Good

3. UP!

4. Come On Over

5. Man! I Feel Like A Woman!

6. That Don't Impress Me Much

7. From This Moment

8. Honey, I'm Home

9. You're Still The One

10. Don't Be Stupid

11. Love Gets Me Every Time

12. No One Needs To Know

13. You Win My Love

14. I'm Outta Here

15. The Woman In Me

16. Any Man Of Mine

17. Whose Bed Have Your Boots

18. Party for Two' (with Mark McGrath)

19. Don't!

20. Party for Two (with Billy Currington)

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Wednesday, 11 March 2009

Guitars Guitar Strummin Fender Gibson Cotton Throw Blanket

This is a lovely high quality Woven throw, made in USA. Great decoration for you home, office, excellent to hang on wall, fold on bed, etc.
Customer Review: Unique Gift
This gift was ordered as a Christmas gift to my teenage brother who loves guitars. I searched everywhere for guitar blankets, and this was the only one I could find. I was very pleased with the seller (Cjicollectiables, LLC)as the product arrive on time and came with a customer satisfaction garentee. Needless to say, I was very satified with the blanket throw, as was my brother. I would recommend the blanket as a unique quality gift for any guitar lover, and the seller as reliable.


I can describe Smooth Jazz sensation Boney James's CD Body Language for you with just one word... Outstanding!

It's a rare day indeed that I get a CD from an artist that I can truthfully say does not have a bad track in the bunch. I'm more than happy to announce that's exactly what I must say about this one. There simply is NOT a bad one in the bunch. No fillers here at all.

Body Language is a nicely varied, mix of 9 tracks from one of best smooth jazz sax players around. One of the nicer things about hearing an artist like Boney James is with the level of talent he posses even if Smooth Jazz isn't your favorite genre you still can't help but appreciate the greatness of the artist.

Listen to and I think you'll agree that the song choices are excellent, the production is outstanding and Boney James's sax work is about as good as it gets.

While the entire CD is outstanding the truly standout tracks are Are You Ready? [track 1], Into The Blue [track 2], and All Night Long [track 9].

My SmoothLee Bonus Pick, and the one that got Sore [...as in "Stuck On REpeat"] is track 5, Boneyizm. You gotta love Boneyizm!

Body Language Release Notes:

Boney James originally released Body Language on February 23, 1999 on the Warner Bros. record label.

CD Track List Follows:

1. Are You Ready?

2. Into The Blue

3. Body Language

4. I'll Always Love You - (featuring Shai)

5. Boneyizm

6. Lovefest

7. Bedtime Story

8. I Get Lonely

9. All Night Long

Personnel: Boney James (soprano, alto & tenor saxophones, keyboards, synthesizer, programming); Donnell Spencer Jr. (vocals, drums); Shai, Chelle Davis (vocals); Rick Braun (flugelhorn); David Torkanowsky (piano, Fender Rhodes piano, organ, keyboards); Phil Davis (keyboards, synthesizer, programming); Rex Rideout (keyboards, programming); Tim Heintz, Leon Bisquera, Mark Ellis Stephens (keyboards); Alex Al (synthesizer, bass); Paul Jackson Jr. (acoustic & electric guitars); Rohn Lawrence, Tony Maiden (guitar); Ronnie Garrett, Larry Kimpel (bass); Lil' John Roberts (drums); Paulinho Da Costa, Lenny Castro (percussion). Engineers include: Paul Brown, Bill Schnee, Don Murray.

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the fender stratocaster handbook pdf